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The inside blurb to Secrets in the Dark: A Life in Sermons begins, “Frederick Buechner has long been a kindred spirit to those who find elements of doubt as constant companions on their journey of faith.”

The book was a birthday gift from my mother two years ago, and I’ve been slowly making my way through its gentle, surprising sermons ever since Christmas of that year.

This past weekend, just as the newest post for Walhydra’s Porch was starting to come together, I opened the book to “Faith and Fiction,” a long piece in which Buechner tells about his experience as a religious novelist and explores how faith and fiction rely upon common characteristics:

The word fiction comes from a Latin verb meaning “to shape, fashion, feign.” That is what fiction does, and in many ways it is what faith does too. You fashion your story, as you fashion your faith, out of the great hodgepodge of your life—the things that have happened to you and the things you have dreamed of happening….

In faith and fiction both you fashion out of the raw stuff of your experience. If you want to remain open to the luck and grace of things anyway, you shape that stuff in the sense less of imposing a shape on it than of discovering a shape. And in both you feign—feigning as imagining, as making visible images for invisible things. (174-75)

Toward the end of the piece, Buechner revisits these parallels:

To whistle in the dark is more than just to try to convince yourself that dark is not all there is. It is also to remind yourself that dark is not all there is or the end of all there is because even in the dark there is hope…. The tunes you whistle in the dark are the images you make of that hope, that power. They are the books you write.

In just the same way faith could be called a kind of whistling in the dark too, of course. The living out of faith. The writing out of fiction. In both you shape, you fashion, you feign. Maybe what they have most richly in common is a way of paying attention. (182)

These passages frame Buechner’s description of writing several novels about an imaginary saint and one more about a historical one.

The passage which caught my attention, though, on the morning when Walhydra got going with her latest piece, is this one:

If you had to bet your life, which one would you bet it on? On Yes, there is God in the highest, or, if such language is no longer viable, there is Mystery and Meaning in the deepest? On No, there is whatever happens to happen, and it means whatever you choose it to mean, and that is all there is?

We may bet Yes this evening and No tomorrow morning…. But we all of us bet, and it’s our lives themselves we’re betting with in the sense that the betting is what shapes our lives. And we can never be sure we’ve bet right, of course. The evidence both ways is fragmentary, fragile, ambiguous…. Whether we bet Yes or No, it is equally an act of faith….

Faith…is distinctively different from other aspects of the religious live and not to be confused with them….

Faith is different from theology because theology is reasoned, systematic, and orderly, whereas faith is disorderly, intermittent, and full of surprises. Faith is different from mysticism because mystics in their ecstasy become one with what faith can at most see only from afar. Faith is different from ethics because ethics is primarily concerned not, like faith, with our relationship to God but with our relationship to each other.

Faith is closest perhaps to worship because like worship it is essentially a response to God and involves the emotions and the physical senses as well as the mind, but worship is consistent, structured, single-minded and seems to know what it’s doing while faith is a stranger and exile on the earth and doesn’t know for certain about anything.

Faith is homesickness. Faith is a lump in the throat. Faith is less a position on than a movement toward, less a sure thing than a hunch. Faith is waiting. Faith is journeying through space and through time. (172-73)

And so it is.

Blessèd Be.

This is a beautiful post I stumbled onto, thanks to Martin Kelley’s QuakerQuaker.org. It’s on a blog I hadn’t seen before, Showers of Blessing, by Paul L of Minneapolis.

Friend Paul is quoting from Andrea Lee’s article, ”Personal History: Altered State — Pennsylvania, blackness, and the art of being foreign,” in the June 30, 2008 issue of The New Yorker.

As a fifth-grade student at Lansdowne Friends School, she and her classmates were called on to recite Psalm 19 at Thursday morning meeting for worship to the elders of the meeting and the rest of the school:

For a long time, things go without a hitch, but on the morning of Psalm 19 our class fails. First, the short, deep-voiced boy who is our bellwether stumbles over his verse and, purple-faced, shudders to a halt. And I, with gold ready to pour from my lips*, simply freeze.

At Teacher’s frenzied prompting, we burst into the chorus, about errors and secret faults.** But the words are a tripwire: somebody’s helpless giggle becomes a rout. We double over, choking with uncontrollable laughter. The beams of the meetinghouse ring with the echo of our debacle, and we wither under the sidelong smirks of the sixth grade.

Still, after a minute, a curious transformation occurs. One by one, we are able to look up at the faces of the elders, which are not severe and condemning, nor yet smiling with the kind of amused indulgence with which grownups greet endearing childish mishaps. Nor do they display any desire to make this a character-building experience.

Those old faces are simply present: alert; regarding us and the rest of the hall with a boundless, patient comprehension that raises us to their own dignified level. We let the silence flow back.

And, gradually, something becomes clear: a kind of radiant indifference to words, mistaken or correct. What the elders, the Friends, pass on to us this morning is an inkling of how strong silence is. Essential; eternal. But common, in the best sense. Always there, if we can only listen for it. Inside or outside meeting.

* v 9-10: The fear of the LORD is clean, enduring for ever: the judgments of the LORD are true and righteous altogether. More to be desired are they than gold, yea, than much fine gold: sweeter also than honey and the honeycomb.

** v 12Who can understand his errors? cleanse thou me from secret faults.

What a marvelous story of grace.

Blessèd Be.

Summer Solstice,
Batticaloa, Sri Lanka

The war had turned inward until it resembled
suicide. The only soothing thing was water.
I passed the sentries, followed the surf out of sight.
I would sink into the elements, become simple.

Surf sounds like erasure, over and over.
I lay down and let go, the way you trust an animal.
When I opened my eyes, all down the strand
small crabs, the bright yellow of a crayon,

had come out onto the sand. Their numbers, scattered,
resembled the galactic spill and volume of the stars.
I, who had lain down alone, emptied,
waked at the center of ten thousand prayers.

Who would refuse such attention. I let it sweeten me
back into the universe. I was alive, in the midst

of great loving, which is all I’ve ever wanted.
The soldiers of both sides probably wanted just this.

Marilyn Krysl,
quoted by Deborah Oak on her blog,
branches up, roots down

Stephen Jay Gould

Our mind works largely by metaphor and comparison, not always (or even often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor—not because the new guideline will be truer to nature...but because we need a shift to more fruitful perspectives, and metaphor is often the best agent for conceptual transition. (264)

Bully for Brontosaurus: Reflections in Natural History
Pink Triangle

On Attribution

I'm a writer and a librarian.

I license my own online work through Creative Commons.

When I cite books or websites, I link to them. When I use images, I add a pop-up title which gives attribution. Also, the image itself usually links to the source website.

Often the images link to very interesting source sites which I am nudging my readers to look at.

Have fun. Be honest. Give attribution!

 

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